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Mabesoone recoups visual languages that have habitually been coded as ultra-feminine and trivial
in her own words
drab paintings are outside time
skies and bodies of water
Laura Van ‘Sex met verf’ Posture Editions Mabesoone recoups visual languages thatPosture Editions and Laura Van worked on SEX WITH PAINT, a publication with recent still lifes by Van. The works, for which the artist uses only oils, are without photographic point of departure: they are the result of an inflection of what the artist observes on the table in his living and working space. They are therefore anecdotal autobiographical in naturea nature that is emphatically determined by the motorial and psychological intentions of the
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