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shaped and reshaped via endless improvisation and perhaps some psychedelics
and completely his own
but in retrospect it’s really a forerunner to the acclaimed spacious works of Michael Stearns and Steve Roach (I could also quote Kevin O’Neill here
Germany and travelled to Melbourne to work with RVG
MAGNETIC FIELDS - House of Tomorrow 12" hip hop shaped and reshaped via endlessRemastered and available as a 12" for the first time. When Susan Anway, who sang on early albums Distant Plastic Trees and The Wayward Bus, left the group, Stephin Merritt stepped up to the microphone. He sought to sound simple, subtle, and unobtrusive, a la the Japanese concept of shibusa. Likewise, the arrangements and production of The House of Tomorrow felt less polished overall than on its predecessors, even as the bands sound was evolving. All
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