Gewitter 田舎の夕立 | Hanabusa Itchō 英 一蝶 | 1652-1724 format:57cm x 206cm in Edo (Tokyo) das Kobikichō-Atelier

in Edo (Tokyo) das Kobikichō-Atelier zu gründen

The fishing rod also helps to widen the format and to give free space to look into the void

sprouts in the opposite direction

The poem reflects that typical Chinese scholarly mindset: one enjoys being in a pavilion far from the hustle and bustle of the cities

Gewitter 田舎の夕立 | Hanabusa Itchō 英 一蝶 | 1652-1724 format:57cm x 206cm in Edo (Tokyo) das Kobikichō-AtelierHanabusa Itch stands out as an outsider in Japanese art history. He came from a good family his father worked as a doctor in the service of various princes. At the age of 15, Itch entered a monastery, but was soon shown the door due to his unbridled temperament. He then became an apprentice to Kan Yasunobu, one of the most respected painters of the Kan school. However, his rebellious spirit refused to conform to the studios strict artistic guidelines,